{"title":"Collaborators","description":"","products":[{"product_id":"estructuras-insostenibles-3","title":"Unsustainable Structures 3","description":"\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cp\u003e Work from the NO-STRUCTURES series\u003cbr\u003e Other editions of this photograph have been exhibited at Ekho Gallery, Santiago and Velorose, London, and have been published in The Guardian, Archdaily, Plot, Panorama, Greyscape and Architecture NZ.\u003c\/p\u003e\n\n\u003cp\u003e \u003cbr\u003e\"Somewhere between a building and a ruin, this retained façade represents a sculptural and absurd construction. As well as raising questions about 'façadism' and heritage conservation, this ephemeral construction symbolises the contradictions and conflicts that different cities face in the face of urban regeneration processes. The intervention is part of a regeneration project in East London, which includes the renovation of Toynbee Hall, the improvement of the public space surrounding it, and the construction of apartments and commercial spaces. Weeks after the building was finished, and the blue metal structure was removed, my partner and I went and stood in front of the façade. Why are we here? 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Her images depart from the strict evidence of historical documents. Their beauty, fascination and inspiration remind us that the history of media and communication is much more than mere signs, symbols, letters\u003c\/span\u003e \u003cspan\u003eand words, and is framed in processes that are deeply linked to man's study of nature, the efforts to make sense of origins, to explain the past and to understand our ever-evolving present.\"\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ch3\u003e Measures\u003c\/h3\u003e\n\n\u003ch3\u003e 106 x 78 cms\u003c\/h3\u003e\n\n\u003ch3\u003e Etching - Etching and Embossing Hahnemühle Paper 300g\u003c\/h3\u003e\n\n\u003ch3\u003e \u003cspan\u003e2016\u003c\/span\u003e\n\u003c\/h3\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cp\u003e \u003cspan\u003eFramed in black or lead aluminum 0.8 cms\u003c\/span\u003e\u003c\/p\u003e","brand":"Patricia Claro","offers":[{"title":"Unframed","offer_id":35095883645094,"sku":"PCLARO-003","price":1200000.0,"currency_code":"CLP","in_stock":true},{"title":"Black aluminum frame","offer_id":35095883677862,"sku":"PCLARO-004","price":1380000.0,"currency_code":"CLP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/8728\/1248\/files\/senderosliquidos1.jpg?v=1749241777"},{"product_id":"aura-v","title":"Aura V","description":"\u003cmeta charset=\"utf-8\"\u003e\n\n \u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eElements such as the organic and the geometric, the opaque and the shiny, the flat and the volumetric illusion are contrasted with the intention of remembering and making visible the dual and opposing character present in the world we inhabit and the challenge posed by the need to find a balance.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-weight: 400;\"\u003eDimensions\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003e134 x 134 cms\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003eAcrylic paint on folded amate paper\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003e2016\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Magdalena Rojas","offers":[{"title":"Default Title","offer_id":31334902333536,"sku":"MROJAS-005","price":1800000.0,"currency_code":"CLP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/8728\/1248\/products\/RM---Aura-V2.jpg?v=1591886815"},{"product_id":"franciscasutil-edicion-muteii","title":"Mute Series II","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cp\u003e \u003cstrong\u003eSold out edition\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e I started by making a mark with a small square oil brush on the slats. Then I tried different brushes, making individual marks that had an interesting rhythm. It took me a while to understand what I was doing, because the marks had no connection to my previous work. But at some point I realized that the small elliptical shapes were interesting, fresh, new.\"\u003c\/p\u003e\n\n\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cp\u003e Mute Series II\u003cbr\u003e Fine art print on 300g Hahnemühle paper.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eEdition of\u003cspan\u003e \u003c\/span\u003e6 signed by artist.\u003cbr\u003e 2019\u003c\/p\u003e\n\n\u003ch3\u003e\n\n\u003cbr\u003e Measures\u003cbr\u003e Artwork 95 x 65 cms Framed 97 x 69 cms\u003cbr\u003e\n\u003c\/h3\u003e\n\n\u003cp\u003e \u003cspan style=\"color: #404040;\"\u003eFramed in\u003cspan\u003e \u003c\/span\u003eMañío 2 cms museum quality. 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A year ago the crutched building was refurbished as part of City North, a 355-unit mixed-use urban regeneration project.\u003c\/p\u003e\n\n\u003cp\u003e While I was photographing the building, a black car with tinted windows parked right in front of the tripod. An intimidating-looking man told me that I needed a permit to take photos there. Later, looking at the large-format printed image, I noticed the slot under the left window, possibly used to sell drugs made inside.\u003c\/p\u003e\n\n \u003cp\u003eThis photograph was the first in the series Non-Structures. The name of the typology, 'unsustainable buildings', ironises the indiscriminate and erroneous use of the concept of sustainability. In my opinion, there is no such thing as a completely sustainable building, rather there are buildings that are less unsustainable than others. The same applies to cities. However, no one talks about unsustainable buildings or cities.\u003c\/p\u003e\n\n\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cp\u003e \u003cspan\u003eOther editions of this photograph have been exhibited at Ekho Gallery, Santiago and Velorose, London, and have been published in The Guardian, Archdaily, Plot, Panorama, Greyscape and Architecture NZ.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e Fine Art print with mineral pigment injection on 320 g Hahnemühle Pearl cotton paper\u003cbr\u003e Edition of 5 + 2 AP\u003c\/p\u003e\n\n\u003cp\u003e Measures\u003cbr\u003e 90 x 112.5 cms\u003c\/p\u003e\n\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003ePrice does not\u003c\/span\u003e \u003cspan\u003einclude\u003c\/span\u003e \u003cspan\u003eframing\u003c\/span\u003e\u003c\/p\u003e","brand":"Francisco Ibañez","offers":[{"title":"Default Title","offer_id":31541416067168,"sku":"","price":800000.0,"currency_code":"CLP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/8728\/1248\/products\/IF---US1---126x110---T.jpg?v=1587660257"},{"product_id":"estructura-fantasma-1","title":"Ghost Structures (Ghost Structures 1)","description":"\u003cp\u003e Work from the NO-STRUCTURES series\u003cbr\u003e\u003cbr\u003e The first time I saw this three-storey building in a prime location in Shoreditch I knew it was destined to disappear. The building was surrounded by a car park and graffitied on both sides. On the ground floor there was a bazaar selling bags and suitcases, and to one side there was a car wash. The building was demolished to make way for 'Shoreditch Exchange', a set of 6 mixed-use towers with apartments and shops.\u003c\/p\u003e\n\n \u003cp\u003eAfter being wrapped, the demolition took 2 weeks. The wrapping is used to prevent dust from flying and debris from falling onto the sidewalk. The way this building was wrapped is very curious, however. At an exhibition, someone told me that they found the wrapping to be sensual, that it gave a glimpse of what was behind the cloth without completely revealing the secret.\u003c\/p\u003e\n\n\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cp\u003e Other editions of this photograph have been exhibited at Ekho Gallery, Santiago and Velorose, London, and have been published in The Guardian, Archdaily, Plot, Panorama, Greyscape and Architecture NZ.\u003c\/p\u003e\n\n\u003ch3\u003e\n\n\u003cbr\u003e Fine Art print with mineral pigment injection on 320 g Hahnemühle Pearl cotton paper\u003cbr\u003e Edition of 5 + 2 AP\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Measures\u003cbr\u003e 90 x 78 cms\u003c\/h3\u003e","brand":"Francisco Ibañez","offers":[{"title":"Default Title","offer_id":31541552545888,"sku":"GS1","price":700000.0,"currency_code":"CLP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/8728\/1248\/products\/IF---EF1---118x81---T.jpg?v=1587660435"},{"product_id":"estructuras-deconstruidas-deconstructed-structures-1","title":"Deconstructed Structures (Deconstructed Structures 1)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cp\u003e \u003cspan style=\"color: #404040;\"\u003eWork from the No-Structures series\u003c\/span\u003e \u003cbr\u003e\u003cspan style=\"color: #404040;\"\u003e\"In the case of the Non-Structures series, the radical gestures behind the buildings reveal the history and essence behind their transformation, a narrative that describes the culture that shapes the city. 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The surrounding buildings hint at the appearance and density of the new development.\u003cbr\u003e\u003cbr\u003e \"In the case of the Non-Structures series, the radical gestures behind the buildings reveal the history and essence behind their transformation, a narrative that describes the culture that shapes the city. Placed side by side, these portraits become a parallel city, a metaphor for the real city.\"\u003cbr\u003e\u003cbr\u003e Other editions of this photograph have been exhibited at Ekho Gallery, Santiago and Velorose, London, and have been published in The Guardian, Archdaily, Plot, Panorama, Greyscape and Architecture NZ.\u003cbr\u003e \u003cbr\u003eFine Art print with mineral pigment injection on 320 g Hahnemühle Pearl cotton paper. 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Placed side by side, these portraits become a parallel city, a metaphor for the real city.\"\u003cbr\u003e Other editions of this photograph have been exhibited at Ekho Gallery, Santiago and Velorose, London, and have been published in The Guardian, Archdaily, Plot, Panorama, Greyscape and Architecture NZ.\u003cbr\u003e\u003cbr\u003e Fine Art print with mineral pigment injection on 320 g Hahnemühle Pearl cotton paper. Edition of 10 + 2 AP\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"color: #000000;\"\u003eMeasures\u003c\/span\u003e\u003cbr\u003e 69 x 46 cms\u003cbr\u003e Framed in 0.8 cm lead aluminum and anti-reflective museum glass with UV protection\u003c\/p\u003e\n\n\u003cp\u003e -\u003c\/p\u003e\n\n\u003cmeta charset=\"utf-8\"\u003e\n\n \u003cp\u003e\u003cspan style=\"color: #404040;\"\u003e\u003cem\u003eThe series 'Non-Structures' presents London – and cities in general – as a spectacle of constant conflict, negotiation and flux. 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Placed side by side, these portraits become a parallel city, a metaphor for the real city.\"\u003cbr\u003e\u003cbr\u003e Other editions of this photograph have been exhibited at Ekho Gallery, Santiago and Velorose, London, and have been published in The Guardian, Archdaily, Plot, Panorama, Greyscape and Architecture NZ.\u003cbr\u003e\u003cbr\u003e Fine Art print with mineral pigment injection on 320 g Hahnemühle Pearl cotton paper. 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Placed side by side, these portraits become a parallel city, a metaphor for the real city.\" Other editions of this photograph have been exhibited at Ekho Gallery, Santiago and Velorose, London, and it has been published in The Guardian, Archdaily, Plot, Panorama, Greyscape and Architecture NZ.\u003cbr\u003e \u003cbr\u003eFine Art print with mineral pigment injection on 320 g Hahnemühle Pearl cotton paper. Edition of 10 + 2 AP\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"color: #000000;\"\u003eMeasures\u003c\/span\u003e\u003cbr\u003e 69 x 46 cms\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003ePrice does not\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003einclude\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003eframing\u003c\/span\u003e\u003cbr\u003e -\u003cbr\u003e\u003cbr\u003e \u003cspan style=\"color: #404040;\"\u003e\u003cem\u003eThe series 'Non-Structures' presents London – and cities in general – as a spectacle of constant conflict, negotiation and flux. Capturing key moments in the life of diverse buildings, the images reveal a condition of transience, trapped as these buildings and sites are between the boundaries of architecture and ruin, planning and chance, process and product. The term 'Non-Structures' alludes to anthropologist Marc Augé's influential work 'Non-Places'; this boundary condition, defined by an absence of identity, has lent its name to the series.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #404040;\"\u003e\u003cem\u003eUsing similar parameters of light, composition and scale, these 'Non-Structures' appear to be frozen in a specific time and context, as dysfunctional mechanisms that question collectively the processes of change and the impermanence of the city. From the demolition of iconic buildings such as Robin Hood Gardens to various transformations of anonymous buildings in London, the photographs aim to reveal the unexpected and sculptural morphology of these 'non-structures', while simultaneously documenting the constant tension that exists with their surroundings. 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Placed side by side, these portraits become a parallel city, a metaphor for the real city.\" Other editions of this photograph have been exhibited at Ekho Gallery, Santiago and Velorose, London, and it has been published in The Guardian, Archdaily, Plot, Panorama, Greyscape and Architecture NZ.\u003cbr\u003e \u003cbr\u003eFine Art print with mineral pigment injection on 320 g Hahnemühle Pearl cotton paper. Edition of 10 + 2 AP\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"color: #000000;\"\u003eMeasures\u003cbr\u003e\u003c\/span\u003e \u003cspan style=\"color: #000000;\"\u003eMedium Edition\u003cbr\u003e\u003c\/span\u003e 36 x 24 cms\u003cbr\u003e \u003cspan data-mce-fragment=\"1\"\u003eLarge edition\u003c\/span\u003e\u003cbr\u003e 69 x 46 cms\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003ePrice does not\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003einclude\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003eframing\u003c\/span\u003e\u003cbr\u003e -\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #404040;\"\u003e\u003cem\u003eThe series 'Non-Structures' presents London – and cities in general – as a spectacle of constant conflict, negotiation and flux. Capturing key moments in the life of diverse buildings, the images reveal a condition of transience, trapped as these buildings and sites are between the boundaries of architecture and ruin, planning and chance, process and product. The term 'Non-Structures' alludes to anthropologist Marc Augé's influential work 'Non-Places'; this boundary condition, defined by an absence of identity, has lent its name to the series.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #404040;\"\u003e\u003cem\u003eUsing similar parameters of light, composition and scale, these 'Non-Structures' appear to be frozen in a specific time and context, as dysfunctional mechanisms that question collectively the processes of change and the impermanence of the city. From the demolition of iconic buildings such as Robin Hood Gardens to various transformations of anonymous buildings in London, the photographs aim to reveal the unexpected and sculptural morphology of these 'non-structures', while simultaneously documenting the constant tension that exists with their surroundings. Can these 'non-structures' be considered involuntary works of art?\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan style=\"color: #404040;\"\u003e\u003cem\u003eBeyond visual documentation, this series of images initiates a dialogue concerned with what type of future we want for the places in which we live, work, and spend the time.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Francisco Ibañez","offers":[{"title":"Medium","offer_id":41681551261862,"sku":"","price":200000.0,"currency_code":"CLP","in_stock":true},{"title":"Big","offer_id":41681551294630,"sku":"","price":400000.0,"currency_code":"CLP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/8728\/1248\/products\/IF-GS15-69x46.png?v=1626116745"},{"product_id":"serie-mute","title":"Mute Series II","description":"\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cp\u003e “I started by making a mark with a small square oil brush on the boards. The repetition of the mark motivated me. Then I tried different brushes, making individual marks that had an interesting rhythm and that I could handle like a written language. It took me a while to understand what I was doing, because the marks\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e“They had little connection with my previous work. But at some point I realized that the small elliptical shapes were part of a fresh visual language, and each composition contained an undeciphered code.”\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003eMute Series\u003cbr\u003e Fine art print on Rives BFK 100% cotton paper.\u003cbr\u003e Edition of 6 signed by artist.\u003c\/p\u003e\n\n\u003cp\u003e Measures\u003cbr\u003e 84 x 64 cms\u003c\/p\u003e","brand":"Francisca Sutil","offers":[{"title":"Normal Glass","offer_id":40766416191654,"sku":null,"price":1220000.0,"currency_code":"CLP","in_stock":true},{"title":"Museum Glass (UV filter and anti-reflective)","offer_id":40766416224422,"sku":null,"price":1400000.0,"currency_code":"CLP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/8728\/1248\/products\/SutilFrancisca-MuteSeries-84x64cms-2.jpg?v=1627084011"},{"product_id":"twist-o","title":"Twist O","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\"As in nature, there is an imperfect geometry here. 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Creation occurs through observation, there is no prior drawing, only based on experimentation on a real scale and in space.\"\u003cbr\u003e\u003cbr\u003e Volumetric work, polypropylene sheet painted and cut by hand on a wooden base.\u003c\/p\u003e\n\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e Dimensions\u003cbr\u003e 84 x 82.5 x 9 cms\u003cbr\u003e White wooden frame and acrylic box\u003cbr\u003e\u003c\/p\u003e","brand":"Solange Heilenkotter","offers":[{"title":"Twist Lilac","offer_id":41541582618790,"sku":null,"price":1450000.0,"currency_code":"CLP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/8728\/1248\/products\/Heilenkotter-Sol-TwistO.jpg?v=1635364491"},{"product_id":"mute-series","title":"Mute Series ","description":"\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cdiv class=\"gs\"\u003e\n\n\u003cdiv class=\"\"\u003e\n\n\u003cdiv class=\"ii gt\" id=\":rq\" jslog=\"20277; u014N:xr6bB; 4:W251bGwsbnVsbCxbXV0.\"\u003e\n\n\u003cdiv class=\"a3s aiL\" id=\":nk\"\u003e\n\n\u003cdiv\u003e\n\n \u003cp\u003e“I started by making a mark with a small square oil brush on the boards. The repetition of the mark motivated me. Then I tried different brushes, making individual marks that had an interesting rhythm and that I could handle like a written language. It took me a while to understand what I was doing, because the marks\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e“They had little connection with my previous work. But at some point I realized that the small elliptical shapes were part of a fresh visual language, and each composition contained an undeciphered code.”\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003eMute Series\u003cbr\u003e Fine art print on 300g Hahnemühle paper.\u003cbr\u003e Edition of 6 signed by artist.\u003cbr\u003e Work year 2013, Edition year 2022\u003c\/p\u003e\n\n\u003cp\u003e Measures\u003cbr\u003e 132 x 90 cms. Framed in a 2 cm Mañío wooden box.\u003c\/p\u003e\n\n\u003cspan style=\"font-size: 1.4em;\"\u003e \u003c\/span\u003e\u003cbr\u003e\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Francisca Sutil","offers":[{"title":"Museum Glass (UV filter and anti-reflective)","offer_id":41597620912294,"sku":null,"price":2200000.0,"currency_code":"CLP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/8728\/1248\/products\/SutilFrancisca-MuteSeries-130x90.png?v=1653492970"},{"product_id":"estructuras-hibridas-3-hybrid-structures-3","title":"Hybrid Structures 3","description":"\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cp\u003e Work from the No-Structures series\u003c\/p\u003e\n\n \u003cp class=\"p1\"\u003e\"In the case of the No-Structures series, the radical gestures behind the buildings reveal the story and essence behind their transformation, a narrative that describes the culture that shapes the city. Placed side by side, these portraits become a parallel city, a metaphor for the real city.\" Other editions of this photograph have been exhibited at Ekho Gallery, Santiago and Velorose, London, and it has been published in The Guardian, Archdaily, Plot, Panorama, Greyscape and Architecture NZ.\u003cbr\u003e\u003cbr\u003e Fine Art print with mineral pigment injection on 320 g Hahnemühle Pearl cotton paper. Edition of 10 + 2 AP\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"color: #000000;\"\u003eMeasures\u003cbr\u003e\u003c\/span\u003e \u003cspan style=\"color: #000000;\"\u003eMedium Edition\u003cbr\u003e\u003c\/span\u003e 36 x 24 cms\u003cbr\u003e \u003cspan data-mce-fragment=\"1\"\u003eLarge edition\u003c\/span\u003e\u003cbr\u003e 69 x 46 cms\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003ePrice does not\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003einclude\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003eframing\u003c\/span\u003e\u003cbr\u003e - \u003cbr\u003e\u003cspan style=\"color: #404040;\"\u003e\u003cem\u003eThe series 'Non-Structures' presents London – and cities in general – as a spectacle of constant conflict, negotiation and flux. Capturing key moments in the life of diverse buildings, the images reveal a condition of transience, trapped as these buildings and sites are between the boundaries of architecture and ruin, planning and chance, process and product. The term 'Non-Structures' alludes to anthropologist Marc Augé's influential work 'Non-Places'; this boundary condition, defined by an absence of identity, has lent its name to the series.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #404040;\"\u003e\u003cem\u003eUsing similar parameters of light, composition and scale, these 'Non-Structures' appear to be frozen in a specific time and context, as dysfunctional mechanisms that question collectively the processes of change and the impermanence of the city. From the demolition of iconic buildings such as Robin Hood Gardens to various transformations of anonymous buildings in London, the photographs aim to reveal the unexpected and sculptural morphology of these 'non-structures', while simultaneously documenting the constant tension that exists with their surroundings. Can these 'non-structures' be considered involuntary works of art?\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan style=\"color: #404040;\"\u003e\u003cem\u003eBeyond visual documentation, this series of images initiates a dialogue concerned with what type of future we want for the places in which we live, work, and spend the time.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Francisco Ibañez","offers":[{"title":"Medium","offer_id":41681559421094,"sku":null,"price":200000.0,"currency_code":"CLP","in_stock":true},{"title":"Big","offer_id":41681559453862,"sku":null,"price":400000.0,"currency_code":"CLP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/8728\/1248\/products\/FranciscoIbanez-HS3.png?v=1636397729"},{"product_id":"estructuras-fantasmas-17-ghost-structures-17","title":"Ghost Structures 17","description":"\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cp\u003e Work from the No-Structures series\u003c\/p\u003e\n\n\u003cp class=\"p1\"\u003e \"In the case of the No-Structures series, the radical gestures behind the buildings reveal the story and essence behind their transformation, a narrative that describes the culture that shapes the city. Placed side by side, these portraits become a parallel city, a metaphor for the real city.\" Other editions of this photograph have been exhibited at Ekho Gallery, Santiago and Velorose, London, and it has been published in The Guardian, Archdaily, Plot, Panorama, Greyscape and Architecture NZ.\u003cbr\u003e\u003cbr\u003e Fine Art print with mineral pigment injection on 320 g Hahnemühle Pearl cotton paper. Edition of 10 + 2 AP\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"color: #000000;\"\u003eMeasures\u003cbr\u003e\u003c\/span\u003e \u003cspan style=\"color: #000000;\"\u003eMedium Edition\u003c\/span\u003e \u003cbr\u003e36 x 24 cms\u003cbr\u003e \u003cspan data-mce-fragment=\"1\"\u003eLarge edition\u003c\/span\u003e\u003cbr\u003e 69 x 46 cms\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003ePrice does not\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003einclude\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003eframing\u003c\/span\u003e\u003cbr\u003e -\u003cbr\u003e \u003cspan style=\"color: #404040;\"\u003e\u003cem\u003eThe series 'Non-Structures' presents London – and cities in general – as a spectacle of constant conflict, negotiation and flux. Capturing key moments in the life of diverse buildings, the images reveal a condition of transience, trapped as these buildings and sites are between the boundaries of architecture and ruin, planning and chance, process and product. The term 'Non-Structures' alludes to anthropologist Marc Augé's influential work 'Non-Places'; this boundary condition, defined by an absence of identity, has lent its name to the series.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #404040;\"\u003e\u003cem\u003eUsing similar parameters of light, composition and scale, these 'Non-Structures' appear to be frozen in a specific time and context, as dysfunctional mechanisms that question collectively the processes of change and the impermanence of the city. From the demolition of iconic buildings such as Robin Hood Gardens to various transformations of anonymous buildings in London, the photographs aim to reveal the unexpected and sculptural morphology of these 'non-structures', while simultaneously documenting the constant tension that exists with their surroundings. Can these 'non-structures' be considered involuntary works of art?\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan style=\"color: #404040;\"\u003e\u003cem\u003eBeyond visual documentation, this series of images initiates a dialogue concerned with what type of future we want for the places in which we live, work, and spend the time.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Francisco Ibañez","offers":[{"title":"Medium","offer_id":41681626661030,"sku":null,"price":200000.0,"currency_code":"CLP","in_stock":true},{"title":"Big","offer_id":41681626693798,"sku":null,"price":400000.0,"currency_code":"CLP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/8728\/1248\/products\/FranciscoIbanez-GS17.png?v=1636397829"},{"product_id":"estructuras-fantasmas-25-ghost-structures-25","title":"Ghost Structures 25","description":"\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cp\u003e Work from the No-Structures series\u003c\/p\u003e\n\n\u003cp class=\"p1\"\u003e \"In the case of the No-Structures series, the radical gestures behind the buildings reveal the story and essence behind their transformation, a narrative that describes the culture that shapes the city. Placed side by side, these portraits become a parallel city, a metaphor for the real city.\" Other editions of this photograph have been exhibited at Ekho Gallery, Santiago and Velorose, London, and it has been published in The Guardian, Archdaily, Plot, Panorama, Greyscape and Architecture NZ.\u003cbr\u003e\u003cbr\u003e Fine Art print with mineral pigment injection on 320 g Hahnemühle Pearl cotton paper. Edition of 10 + 2 AP\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"color: #000000;\"\u003eMeasures\u003cbr\u003e\u003c\/span\u003e \u003cspan style=\"color: #000000;\"\u003eMedium Edition\u003c\/span\u003e \u003cbr\u003e36 x 24 cms\u003cbr\u003e \u003cspan data-mce-fragment=\"1\"\u003eLarge edition\u003c\/span\u003e\u003cbr\u003e 69 x 46 cms\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003ePrice does not\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003einclude\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003eframing\u003c\/span\u003e\u003cbr\u003e -\u003cbr\u003e \u003cspan style=\"color: #404040;\"\u003e\u003cem\u003eThe series 'Non-Structures' presents London – and cities in general – as a spectacle of constant conflict, negotiation and flux. Capturing key moments in the life of diverse buildings, the images reveal a condition of transience, trapped as these buildings and sites are between the boundaries of architecture and ruin, planning and chance, process and product. The term 'Non-Structures' alludes to anthropologist Marc Augé's influential work 'Non-Places'; this boundary condition, defined by an absence of identity, has lent its name to the series.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #404040;\"\u003e\u003cem\u003eUsing similar parameters of light, composition and scale, these 'Non-Structures' appear to be frozen in a specific time and context, as dysfunctional mechanisms that question collectively the processes of change and the impermanence of the city. From the demolition of iconic buildings such as Robin Hood Gardens to various transformations of anonymous buildings in London, the photographs aim to reveal the unexpected and sculptural morphology of these 'non-structures', while simultaneously documenting the constant tension that exists with their surroundings. Can these 'non-structures' be considered involuntary works of art?\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan style=\"color: #404040;\"\u003e\u003cem\u003eBeyond visual documentation, this series of images initiates a dialogue concerned with what type of future we want for the places in which we live, work, and spend the time.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Francisco Ibañez","offers":[{"title":"Medium","offer_id":41681631379622,"sku":null,"price":200000.0,"currency_code":"CLP","in_stock":true},{"title":"Big","offer_id":41681631412390,"sku":null,"price":400000.0,"currency_code":"CLP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/8728\/1248\/products\/FranciscoIbanez-GS25.png?v=1636397901"},{"product_id":"estructuras-fantasmas-30-ghost-structures-30","title":"Ghost Structures 30","description":"\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cp\u003e Work from the No-Structures series\u003c\/p\u003e\n\n\u003cp class=\"p1\"\u003e \"In the case of the No-Structures series, the radical gestures behind the buildings reveal the story and essence behind their transformation, a narrative that describes the culture that shapes the city. Placed side by side, these portraits become a parallel city, a metaphor for the real city.\" Other editions of this photograph have been exhibited at Ekho Gallery, Santiago and Velorose, London, and it has been published in The Guardian, Archdaily, Plot, Panorama, Greyscape and Architecture NZ.\u003cbr\u003e\u003cbr\u003e Fine Art print with mineral pigment injection on 320 g Hahnemühle Pearl cotton paper. Edition of 10 + 2 AP\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"color: #000000;\"\u003eMeasures\u003cbr\u003e\u003c\/span\u003e \u003cspan style=\"color: #000000;\"\u003eMedium Edition\u003cbr\u003e\u003c\/span\u003e 36 x 24 cms\u003cbr\u003e \u003cspan data-mce-fragment=\"1\"\u003eLarge edition\u003c\/span\u003e\u003cbr\u003e 69 x 46 cms\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePrice does not\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003einclude\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003eframing\u003c\/span\u003e\u003cbr\u003e -\u003cbr\u003e \u003cspan style=\"color: #404040;\"\u003e\u003cem\u003eThe series 'Non-Structures' presents London – and cities in general – as a spectacle of constant conflict, negotiation and flux. Capturing key moments in the life of diverse buildings, the images reveal a condition of transience, trapped as these buildings and sites are between the boundaries of architecture and ruin, planning and chance, process and product. The term 'Non-Structures' alludes to anthropologist Marc Augé's influential work 'Non-Places'; this boundary condition, defined by an absence of identity, has lent its name to the series.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #404040;\"\u003e\u003cem\u003eUsing similar parameters of light, composition and scale, these 'Non-Structures' appear to be frozen in a specific time and context, as dysfunctional mechanisms that question collectively the processes of change and the impermanence of the city. From the demolition of iconic buildings such as Robin Hood Gardens to various transformations of anonymous buildings in London, the photographs aim to reveal the unexpected and sculptural morphology of these 'non-structures', while simultaneously documenting the constant tension that exists with their surroundings. Can these 'non-structures' be considered involuntary works of art?\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan style=\"color: #404040;\"\u003e\u003cem\u003eBeyond visual documentation, this series of images initiates a dialogue concerned with what type of future we want for the places in which we live, work, and spend the time.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Francisco Ibañez","offers":[{"title":"Medium","offer_id":41738713596070,"sku":null,"price":200000.0,"currency_code":"CLP","in_stock":true},{"title":"Big","offer_id":41738713628838,"sku":null,"price":400000.0,"currency_code":"CLP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/8728\/1248\/products\/FranciscoIbanez-GS30.png?v=1637244256"},{"product_id":"estelar-i","title":"Stellar","description":"\u003cp\u003e\"My painting alludes to the theme of landscape in subjective terms, as if it were a state, a context, or a container of something that must be deciphered by the observer. Using this theme as a pretext, I have developed a pictorial investigation whose central concern is the theme of materiality, the tactile and the perceptual.\"\u003c\/p\u003e\n\n\u003cp\u003e Acrylic on carved wood\u003cbr\u003e 244 x 110 cms\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Magdalena Vial","offers":[{"title":"Default Title","offer_id":42670912471206,"sku":"","price":3800000.0,"currency_code":"CLP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/8728\/1248\/products\/Vial-Magdalena-EstelarI-244x110.png?v=1651081657"},{"product_id":"geometria-latente-ii","title":"Latent Geometry IV","description":"\u003cp\u003e \"My painting alludes to the theme of landscape in subjective terms, as if it were a state, a context, or a container of something that must be deciphered by the observer. Using this theme as a pretext, I have developed a pictorial investigation whose central concern is the theme of materiality, the tactile and the perceptual.\"\u003c\/p\u003e\n\n\u003cp\u003e Wax crayon on paper (frottage)\u003cbr\u003e 83 x 78 cms\u003cbr\u003e Framed in graphite aluminum\u003c\/p\u003e","brand":"Magdalena Vial","offers":[{"title":"Default Title","offer_id":42706834456742,"sku":"","price":1500000.0,"currency_code":"CLP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/8728\/1248\/products\/Vial-Magdalena-geomlatenteIV-80x80.png?v=1651679522"},{"product_id":"paisaje-ii","title":"Landscape II","description":"\u003cp\u003e \"My painting alludes to the theme of landscape in subjective terms, as if it were a state, a context, or a container of something that must be deciphered by the observer. Using this theme as a pretext, I have developed a pictorial investigation whose central concern is the theme of materiality, the tactile and the perceptual.\"\u003c\/p\u003e\n\n\u003cp\u003e Acrylic on carved wood\u003cbr\u003e 60 x 85 cms\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Magdalena Vial","offers":[{"title":"Default Title","offer_id":42717438443686,"sku":"","price":1200000.0,"currency_code":"CLP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/8728\/1248\/products\/Vial-Magdalena-PaisajeII-60x85.png?v=1651772167"},{"product_id":"iridiscente-iv","title":"Iridescent IV","description":"\u003cp\u003e Elements such as the organic and the geometric, the opaque and the shiny, the flat and the volumetric illusion are contrasted with the intention of remembering and making visible the dual and opposing character present in the world we inhabit and the challenge posed by the need to find a balance.\u003c\/p\u003e\n\n\u003cp\u003e Acrylic paint on folded amate paper\u003cbr\u003e 2022\u003c\/p\u003e\n\n\u003cp\u003e Measures\u003cbr\u003e 72.5 x 53 cms framed in mañío with museum glass\u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Magdalena Rojas","offers":[{"title":"Default Title","offer_id":43808683753638,"sku":"","price":600000.0,"currency_code":"CLP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/8728\/1248\/products\/Rojas-Magdalena-IridiscenteIV.png?v=1670615112"},{"product_id":"pintura-de-castas-1","title":"Caste painting 1","description":"\u003cp\u003e\"Different techniques and textures, trompe l'oeil and other visual games make up his compositions. Compositions that Gerardo Pulido decides on as he goes, assembling and in some way disassembling an ambivalent, heterogeneous and impure whole, more or less abstract, as irreverent and serious as it is banal and erudite.\"\u003cbr\u003e\u003cbr\u003e Acrylic paint, varnish and metallic foil on sanded balsa wood\u003cbr\u003e 60 x 30 cms\u003c\/p\u003e\n\n\u003cp\u003e 2018\u003c\/p\u003e","brand":"Gerardo Pulido","offers":[{"title":"Default Title","offer_id":43873776533670,"sku":"","price":850000.0,"currency_code":"CLP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/8728\/1248\/products\/GerardoPulido-13.png?v=1672925898"},{"product_id":"pintura-de-castas-3","title":"Caste painting 3","description":"\u003cp\u003e \"Different techniques and textures, trompe l'oeil and other visual games make up his compositions. Compositions that Gerardo Pulido decides on as he goes, assembling and in some way disassembling an ambivalent, heterogeneous and impure whole, more or less abstract, as irreverent and serious as it is banal and erudite.\"\u003cbr\u003e\u003cbr\u003e Acrylic paint, varnish and metallic foil on sanded balsa wood\u003cbr\u003e 50 x 35 cms\u003c\/p\u003e\n\n\u003cp\u003e 2018\u003c\/p\u003e","brand":"Gerardo Pulido","offers":[{"title":"Default Title","offer_id":43873781317798,"sku":"","price":850000.0,"currency_code":"CLP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/8728\/1248\/products\/GerardoPulido-12.png?v=1672925752"},{"product_id":"pintura-de-castas-4","title":"Caste painting 4","description":"\u003cp\u003e\"Different techniques and textures, trompe l'oeil and other visual games make up his compositions. Compositions that Gerardo Pulido decides on as he goes, assembling and in some way disassembling an ambivalent, heterogeneous and impure whole, more or less abstract, as irreverent and serious as it is banal and erudite.\"\u003cbr\u003e\u003cbr\u003e Acrylic paint, varnish and metallic foil on sanded balsa wood\u003cbr\u003e 55 x 34 cms\u003c\/p\u003e\n\n\u003cp\u003e 2018\u003c\/p\u003e","brand":"Gerardo Pulido","offers":[{"title":"Default Title","offer_id":43873781907622,"sku":"","price":850000.0,"currency_code":"CLP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/8728\/1248\/products\/GerardoPulido-11.png?v=1672925808"},{"product_id":"iridiscente-i","title":"Iridescent I","description":"\u003cp\u003eElements such as the organic and the geometric, the opaque and the shiny, the flat and the volumetric illusion are contrasted with the intention of remembering and making visible the dual and opposing character present in the world we inhabit and the challenge posed by the need to find a balance.\u003c\/p\u003e\n\n\u003cp\u003e Acrylic paint on folded amate paper\u003cbr\u003e 2022\u003c\/p\u003e\n\n\u003cp\u003e Measures\u003cbr\u003e 124.5 \u003cspan data-mce-fragment=\"1\"\u003ex 124.5\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003ecms\u003c\/span\u003e framed in mañío with museum glass\u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Magdalena Rojas","offers":[{"title":"Default Title","offer_id":43949241401510,"sku":"","price":2200000.0,"currency_code":"CLP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/8728\/1248\/products\/Rojas_Magdalena-IridiscenteI.png?v=1675551032"},{"product_id":"lost-places-01","title":"Lost places I","description":"\u003cp class=\"p1\"\u003eThis series of photographs addresses the landscape as a place of transformation, where architectures are perceived that refer to a time gone by and that appear as sporadic and hermit-like elements in different contexts, the desert, the mountains and the outskirts of the city. It is a landscape that refers to a withdrawn, improbable time that is potentially about to disappear.\u003c\/p\u003e\n\n\u003cp class=\"p1\"\u003e Fine Art print on cotton paper\u003cbr\u003e Series of 10 copies\u003cbr\u003e 30 x 21 cm\u003c\/p\u003e","brand":"Bernardita Bennett","offers":[{"title":"Default Title","offer_id":44068271947942,"sku":"","price":140000.0,"currency_code":"CLP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/8728\/1248\/products\/LP_1.jpg?v=1682088907"},{"product_id":"lost-places-02","title":"Lost places II","description":"\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cp class=\"p1\"\u003e This series of photographs addresses the landscape as a place of transformation, where architectures are perceived that refer to a time gone by and that appear as sporadic and hermit-like elements in different contexts, the desert, the mountains and the outskirts of the city. It is a landscape that refers to a withdrawn, improbable time that is potentially about to disappear.\u003c\/p\u003e\n\n\u003cp class=\"p1\"\u003e Fine Art print on cotton paper\u003cbr\u003e Series of 10 copies\u003cbr\u003e 24 x 18 cm\u003c\/p\u003e","brand":"Bernardita Bennett","offers":[{"title":"Default Title","offer_id":44068307828902,"sku":"","price":120000.0,"currency_code":"CLP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/8728\/1248\/products\/LP_2.jpg?v=1681865856"},{"product_id":"lost-places-03","title":"Lost places III","description":"\u003cmeta charset=\"utf-8\"\u003e\n\n \u003cp class=\"p1\"\u003eThis series of photographs addresses the landscape as a place of transformation, where architectures are perceived that refer to a time gone by and that appear as sporadic and hermit-like elements in different contexts, the desert, the mountains and the outskirts of the city. It is a landscape that refers to a withdrawn, improbable time that is potentially about to disappear.\u003c\/p\u003e\n\n\u003cp class=\"p1\"\u003e Fine Art print on cotton paper\u003cbr\u003e Series of 10 copies\u003cbr\u003e 40 x 30 cm\u003c\/p\u003e","brand":"Bernardita Bennett","offers":[{"title":"Default Title","offer_id":44068308123814,"sku":"","price":250000.0,"currency_code":"CLP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/8728\/1248\/products\/LP_3.jpg?v=1681865886"},{"product_id":"lost-places-04","title":"Lost places IV","description":"\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cp class=\"p1\"\u003e This series of photographs addresses the landscape as a place of transformation, where architectures are perceived that refer to a time gone by and that appear as sporadic and hermit-like elements in different contexts, the desert, the mountains and the outskirts of the city. It is a landscape that refers to a withdrawn, improbable time that is potentially about to disappear.\u003c\/p\u003e\n\n\u003cp class=\"p1\"\u003e Fine Art print on cotton paper\u003cbr\u003e Series of 10 copies\u003cbr\u003e 30 x 21 cm\u003c\/p\u003e","brand":"Bernardita Bennett","offers":[{"title":"Default Title","offer_id":44068309565606,"sku":"","price":140000.0,"currency_code":"CLP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/8728\/1248\/products\/LP_04.jpg?v=1682088967"}],"url":"https:\/\/collectio-collectio.com\/en\/collections\/colaboradores.oembed?page=7","provider":"Collectio-collectio","version":"1.0","type":"link"}